A new regular concert series is emerging within the historic and modern spaces of the Slovak National Gallery where sound meets image, emotion meets space, and the musical experience gains an entirely new dimension.
Each concert will be sensitively placed within the context of current exhibitions and the gallery's architecture, offering visitors an intense and unique artistic experience. This new concert cycle is a collaboration between two flagship institutions: the Slovak National Gallery and the Slovak Philharmonic.
The opening concert will be a truly exceptional event, the Spring Concert, performed by the Slovak Chamber Orchestra, which will symbolically launch this new tradition. In cooperation with the Slovak Philharmonic, we bring you a concert full of virtuosity, elegance, and the musical spirit of spring.
Specifically for this opening event, we have prepared a special offer: for the price of 20 EUR, you will receive entry to both the concert itself and all SNG exhibitions.
Concert Program:
The selected works feature composers with strong ties to Bratislava. They were born here, lived here, or created music that left a profound mark on the city's cultural heritage.
Marc Antoine Charpentier Prelude from Te Deum in D major, H. 146
Johann Sigismund Kusser Marche from Overture in C major
Joseph Haydn Serenade from String Quartet in F major, Op. 3, No. 5
Wolfgang Amadeus Mozart Allegro from Divertimento in F major, K. 138
Johann Nepomuk Hummel Minuet from String Quartet in G major
Ludwig van Beethoven Excerpt from Violin Concerto in D major, Op. 61
Johannes Brahms Hungarian Dance No. 5 in G minor
Franz Liszt Liebestraum (Dream of Love), Nocturne No. 3 in A flat major, S. 541
Oskar Nedbal Valse Triste
Béla Bartók For Children (Selection)
Eugen Suchoň When the Wolves Met from Pictures from Slovakia, ESD 79
Vladimír Godár Hajdú Dances (Selection)
Ladislav Kupkovič If You Only Knew, Our Dear Mother... from Cantica Slovaca
Ilja Zeljenka Musica Slovaca
Experience the gallery differently. Experience music differently.
