As usual, it is an offer to tune in, let particularities work within the whole, or to find a way which speaks to you only. But it is not like the author would not speak; on the contrary, she tries to name the world around her and also around us very precisely. She uses “ordinary” materials and techniques–plaster, natural materials, coins, casts, textile objects, embroidery; she shapes, combines, spins, listens to the inner tension, and tunes everything together, so that the objects find their exact and right places. The resulting spatial installation Untitled is not an autobiographical confession of the author, but a metaphor of the world and its current experiencing.
The wall is organised in lines, as a text or sheet music. However, she does not write it from left to right; it arises from the central line, which is the basic skeleton of the construction and growth of the result. For each installation, the author looks for one particular thing which reflects the space, the context, or the time–their exceptionality. For the national gallery it is the effort to say something crucial about the national without referring to rural tradition; to find an adequate content and way to express patriotism, home, national, own.
The work is an original part of the project Art in the Public Space. Fusion of art and architecture.
